Ekasi Lam – An Ode to Kwaito – UnOwed to Kwaito / Photo: Mark Wessels
Ekasi Lam – An Ode to Kwaito – UnOwed to Kwaito / Photo: Mark Wessels
Ekasi Lam – An Ode to Kwaito – UnOwed to Kwaito / Photo: Mark Wessels
Ekasi Lam – An Ode to Kwaito – UnOwed to Kwaito / Photo: Mark Wessels
Ekasi Lam – An Ode to Kwaito – UnOwed to Kwaito / Photo: Mark Wessels
Ekasi Lam – An Ode to Kwaito – UnOwed to Kwaito / Photo: Mark Wessels
Ekasi Lam – An Ode to Kwaito – UnOwed to Kwaito / Photo: Mark Wessels
Ekasi Lam – An Ode to Kwaito – UnOwed to Kwaito / Photo: Mark Wessels
Ekasi Lam – An Ode to Kwaito – UnOwed to Kwaito / Photo: Mark Wessels
Ekasi Lam – An Ode to Kwaito – UnOwed to Kwaito / Photo: Mark Wessels
Ekasi Lam – An Ode to Kwaito – UnOwed to Kwaito / Photo: Mark Wessels
Ekasi Lam – An Ode to Kwaito – UnOwed to Kwaito / Photo: Mark Wessels
Ekasi Lam – An Ode to Kwaito – UnOwed to Kwaito / Photo: Mark Wessels
Ekasi Lam – An Ode to Kwaito – UnOwed to Kwaito / Photo: Mark Wessels
Ekasi Lam – An Ode to Kwaito – UnOwed to Kwaito / Photo: Mark Wessels
Ekasi Lam – An Ode to Kwaito – UnOwed to Kwaito / Photo: Mark Wessels
Ekasi Lam – An Ode to Kwaito – UnOwed to Kwaito / Photo: Mark Wessels
Ekasi Lam – An Ode to Kwaito – UnOwed to Kwaito / Photo: Mark Wessels
Ekasi Lam – An Ode to Kwaito – UnOwed to Kwaito / Photo: Mark Wessels
Ekasi Lam – An Ode to Kwaito – UnOwed to Kwaito / Photo: Mark Wessels
Ekasi Lam – An Ode to Kwaito – UnOwed to Kwaito / Photo: Mark Wessels
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Ekasi Lam – An Ode to Kwaito, Un-Owed to Kwaito presents the point of view that there is no genre closer to an accurate portrait of the township than kwaito. It posits that when closely observed, kwaito – and all its subsequent sub-genres – is the living literature of Johannesburg’s South Western Townships, and every kasi beyond Soweto’s borders.
Writer and director Jefferson Bobs Tshabalala together with musical director Bernett Mlungo use scamtho poetry as a vehicle to tell a unique township story about South African kwaito and how its vast catalogue has offered timeless, nuanced vignettes and a myriad insights into how the majority of Mzansi lives.
Much like hip hop, kwaito is ‘urban poetry’, an agent for social commentary through its lyrics and the statements its practitioners stand for. From points of charged political awareness to engaging with sociological issues, from cultural critique to astute personal introspection, kwaito’s themes and concepts are far reaching and formidable.
Director: J.Bobs Tshabalala Music Composed By: Bernett Mlungo Featured Artists: Simpho Mathenjwa, Mathews Rantsoma, Gugu Dhlamini, Lucky Ndlovu, Kopano Tshabalala Company: Jefferson Bobs Tshabalala
Carmen Maarman – All Who Pass / Photo: Mark Wessels
Iman Isaacs – All Who Pass / Photo: Mark Wessels
Carmen Maarman & Iman Isaacs – All Who Pass / Photo: Mark Wessels
Carmen Maarman & Iman Isaacs – All Who Pass / Photo: Mark Wessels
Iman Isaacs – All Who Pass / Photo: Mark Wessels
Iman Isaacs – All Who Pass / Photo: Mark Wessels
Iman Isaacs & Roberto Kyle – All Who Pass / Photo: Mark Wessels
Roberto Kyle – All Who Pass / Photo: Mark Wessels
Amy Jephta – All Who Pass / Photo: Mark Wessels
Iman Isaacs & Roberto Kyle – All Who Pass / Photo: Mark Wessels
Amy Jephta – All Who Pass / Photo: Mark Wessels
Jawaahier Petersen & Carmen Maarman – All Who Pass / Photo: Mark Wessels
Jawaahier Petersen, Iman Isaacs, Elton Landrew and Roberto Kyle – All Who Pass / Photo: Mark Wessels
Jawaahier Petersen, Iman Isaacs, Elton Landrew and Roberto Kyle – All Who Pass / Photo: Mark Wessels
Iman Isaacs & Elton Landrew – All Who Pass / Photo: Mark Wessels
Iman Isaacs & Elton Landrew – All Who Pass / Photo: Mark Wessels
Iman Isaacs & Elton Landrew – All Who Pass / Photo: Mark Wessels
Iman Isaacs & Elton Landrew – All Who Pass / Photo: Mark Wessels
Iman Isaacs – All Who Pass / Photo: Mark Wessels
Iman Isaacs & Elton Landrew – All Who Pass / Photo: Mark Wessels
Iman Isaacs – All Who Pass / Photo: Mark Wessels
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1974: Eviction. An inner-city Cape Town neighbourhood is being forcibly cleared by the apartheid regime. A family spend their last night together in their District Six home.
2019: Restitution. A daughter returns to claim her inheritance and exorcise the ghosts of what took place there. A journey that will bring her back to a landscape of memories, past and present.
Amy Jeptha, this year’s Standard Bank Young Artist for Theatre, explores displacement in her new play, All Who Pass. The work time-travels between a 1974 eviction and a 2019 restitution. This play was first developed during the Royal Court Theatre International Playwriting Residency with support from the British Council.
Written By: Amy Jephta Music Composed By: Benjamin Jephta Company: PaperJet
Directed by: Quanita Adams Lighting Design: Jon Keevy Costumes realised by: Leigh Bishop With: Elton Landrew, Carmen Maarman, Jawaahier Petersen, Roberto Meyer and Iman Isaacs
The KwaZulu Natal Youth Orchestra – Children’s Concert / Photo: Mark Wessels
The KwaZulu Natal Youth Orchestra – Children’s Concert / Photo: Mark Wessels
The KwaZulu Natal Youth Orchestra – Children’s Concert / Photo: Mark Wessels
The KwaZulu Natal Youth Orchestra – Children’s Concert / Photo: Mark Wessels
The KwaZulu Natal Youth Orchestra – Children’s Concert / Photo: Mark Wessels
The KwaZulu Natal Youth Orchestra – Children’s Concert / Photo: Mark Wessels
The KwaZulu Natal Youth Orchestra – Children’s Concert / Photo: Mark Wessels
The KwaZulu Natal Youth Orchestra – Children’s Concert / Photo: Mark Wessels
The KwaZulu Natal Youth Orchestra – Children’s Concert / Photo: Mark Wessels
The KwaZulu Natal Youth Orchestra – Children’s Concert / Photo: Mark Wessels
The KwaZulu Natal Youth Orchestra – Children’s Concert / Photo: Mark Wessels
The KwaZulu Natal Youth Orchestra – Children’s Concert / Photo: Mark Wessels
The KwaZulu Natal Youth Orchestra – Children’s Concert / Photo: Mark Wessels
The KwaZulu Natal Youth Orchestra – Children’s Concert / Photo: Mark Wessels
The KwaZulu Natal Youth Orchestra – Children’s Concert / Photo: Mark Wessels
The KwaZulu Natal Youth Orchestra – Children’s Concert / Photo: Mark Wessels
The KwaZulu Natal Youth Orchestra – Children’s Concert / Photo: Mark Wessels
The KwaZulu Natal Youth Orchestra – Children’s Concert / Photo: Mark Wessels
The KwaZulu Natal Youth Orchestra – Children’s Concert / Photo: Mark Wessels
The KwaZulu Natal Youth Orchestra – Children’s Concert / Photo: Mark Wessels
The KwaZulu Natal Youth Orchestra – Children’s Concert / Photo: Mark Wessels
The KwaZulu Natal Youth Orchestra – Children’s Concert / Photo: Mark Wessels
The KwaZulu Natal Youth Orchestra – Children’s Concert / Photo: Mark Wessels
The KwaZulu Natal Youth Orchestra – Children’s Concert / Photo: Mark Wessels
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The KwaZulu-Natal Youth Orchestra conducted by Lykele Temmingh will present this year’s Children’s Concert. The KZN Youth Orchestra comprising talented young musicians from around KwaZulu-Natal will showcase their different instruments in a fun and interactive way in the Monument’s Fountain Foyer.
The KwaZulu-Natal Youth Orchestra comprises the best of young musical talent in the province, and is open to all KZN youth between the ages of 12 and 22. Membership of the youth orchestra is a prestigious accomplishment.
They perform under the baton of maestro Lykele Temmingh, who is the resident conductor with the KZN Philharmonic Orchestra, with which the youth orchestra is affiliated, and Cathy Peacock, the sub principal trumpet player with the KZN Philharmonic since 1990.
Director: Lykele Temmingh and Cathy Peacock Featured Artists: Members of the KZN Youth Orchestra Company: KwaZulu-Natal Youth Orchestra
Deurnis – Leroux van Diemen in Koud (Cold) / Photo: Mark Wessels
Deurnis – Ignatius van Heerden in Dream / Photo: Mark Wessels
Deurnis – Ignatius van Heerden in Dream / Photo: Mark Wessels
Deurnis – Mia-Anne O’Kennedy in Bang / Photo:
Deurnis – Bang / Photo: Mark Wessels
Deurnis – Koud (Cold) / Photo: Mark Wessels
Deurnis – Sinenhlanhla Mgeyi in Omnibus / Photo: Mark Wessels
Deurnis – Omnibus / Photo: Mark Wessels
Deurnis – Kgoho (Chicken) / Photo: Mark Wessels
Deurnis – Vusi Nkwenkwezi in Kgoho ( Chicken) / Photo: Mark Wessels
Deurnis – Vusi Nkwenkwezi in Kgoho ( Chicken) / Photo: Mark Wessels
Deurnis – Renos Nicos Spanoudes in Gone / Photo: Mark Wessels
Deurnis – Gone / Photo: Mark Wessels
Deurnis – Sinenhlanhla Mgeyi in Omnibus / Photo: Mark Wessels
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DEURnis / Uzwelo comprises of several plays specifically written for a space. Each play lasts about 20 minutes, and the audience member moves from one room to the next to experience the different performances. Plays are grouped, and a ticket gives an audience member access to three plays. The whole experience, including short breaks in between performances, lasts for around 90 to 100 minutes.
DEURnis / Uzwelo is presented by Theatrerocket in partnership with the National Arts Festival, KWASHA! Theatre Company, the Windybrow Arts Centre and the Market Theatre Laboratory.
Supported by AK21 and NATi (Nasionale Afrikaanse Teaterinitiatief)
Jemma Kahn & David Viviers in Cellist with Rabies / Photo: Mark Wessels
Jemma Kahn in Cellist with Rabies / Photo: Mark Wessels
Jemma Kahn in Cellist with Rabies / Photo: Mark Wessels
Jemma Kahn & David Viviers in Cellist with Rabies / Photo: Mark Wessels
Jemma Kahn in Cellist with Rabies / Mark Wessels
Jemma Kahn in Cellist with Rabies / Photo: Mark Wessels
Jemma Kahn & David Viviers in Cellist with Rabies / Photo: Mark Wessels
Jemma Kahn & David Viviers in Cellist with Rabies / Photo: Mark Wessels
Jemma Kahn & David Viviers in Cellist with Rabies / Photo: Mark Wessels
David Viviers in Cellist with Rabies / Photo: Mark Wessels
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A virologist, on the precipice of making the first major breakthrough in rabies research since Louis Pasteur, is caught off guard when the rabies virus in her petri dish begins talking to her. Cellist with Rabies, a new South African play from a multi-award-winning team, pushes the boundaries of kamishibai to tell a story of disease, failure and breakfast.
Director: Jaco Bouwer Company: Jemma Kahn
Writer: Jemma Kahn Performers: Jemma Kahn & David Viviers Set Design: Rocco Pool
Click on an image to enlarge. Then right click to save. Please remember to credit the photographer, Stefan Disek.
Written By: Amy Jephta Music Composed By: Benjamin Jephta Company: PaperJet Directed by: Quanita Adams Lighting Design: Jon Keevy Costumes realised by: Leigh Bishop With: Elton Landrew, Carmen Maarman, Jawaahier Petersen, Roberto Meyer and others
Amy Jeptha, this year’s Standard Bank Young Artist for Theatre, explores displacement in her new play, All Who Pass. The work time-travels between a 1974 eviction and a 2019 restitution. This play was first developed during the Royal Court Theatre International Playwriting Residency with support from the British Council.
G7: Okwe Bokhwe, Carlo Daniels / Photo: Mark Wessels
G7: Okwe-Bokhwe / Mark Wessels
G7: Okwe-Bokhwe / Mark Wessels
G7: Okwe-Bokhwe / Mark Wessels
G7: Okwe-Bokhwe / Mark Wessels
G7: Okwe-Bokhwe / Mark Wessels
G7: Okwe-Bokhwe / Mark Wessels
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Magnet Theatre’s G7: Okwe-Bokhwe (like/of a goat) is set in the emotional and tension-filled environment of a Truth and Reconciliation Commission hearing. Artistic Director Mandla Mbothwe has created a powerful mourning play, an attempt to honour, commemorate and remember the ultimate sacrifice made by the Gugulethu Seven.
Director: Mandla Mbothwe Choreographer: Mzo Gasa Music Composed By: Babalwa Makwetu Featured Artists: Abigail Mei, Luxolo Mboso, Siyavuya Gqumehlo, Sivenathi Macibela, Sizwe Lubengu, Sityhilelo Makupula, Carlo Daniels and Yvonne Msebenzi Company: Magnet Theatre
Writer & Producer: Joakim Daun | Director: Elizabeth Zaza Muchemwa | Cast: Mimi Ndiweni and Nikola Ruzicic | Dramaturge: Zoë-Guzy Sprague Company: The Incident Project