Steve Smith – Jemma Kahn

In 2018 then cricket captain, 26 year old Steve Smith was at the center of a ball tampering scandal that shook international cricket. When he arrived back in Sydney after the debacle (which reached it’s Zenith at Cape Town’s Newlands stadium), he had to face a room full of journalists and apologise. At the press conference Smith valiantly stumbles through a prepared statement and then he falls apart . It’s the perfect performance of arrogance chopped off at the knees. These four minutes of footage have been recreated by Jemma Kahn, with an astounding mimicry of the withered Smith by De Klerk Oelofse. Together they have created a loving and mocking portrait, in the style made ubiquitous by TikTok and Drag Race – the lip sync. Jemma Kahn has always enjoyed a lo-fi aesthetic and her film making continues in this tradition – shot on an iPhone 4 with prestik as a tripod and edited herself – she takes a simple technology and then pushes it, creating something scruffy, charming and utterly original.

Film by Jemma Kahn
Starring De Klerk Oelofse
Featuring Albert Pretorius
Art & lighting by Jemma Kahn and Rocco Pool

PGPoetry – Yoav Lifshitz

 

Emergency Poetry New Coronavirus 2020 as published Narrated by Hearat Shulaym Independent Journal for Contemporary Art
PGPoetry (Pretty Good Poetry) celebrates the aesthetic, poetic, and political possibilities of PGP (Pretty Good Privacy) encryption protocol. Using PGP encryption protocol, I create abstract random poetry, readable only for the eyes of a specific recipient, and of spying agencies (if they can decrypt them). For the rest of the world, the poems are basically digital Rorschach inkblot, and its meaning, as in every piece of art – depends on the audience’s interpretation (interpretation is decryption!). With the rise of state surveillance during the COVID-19 pandemic, this project is more relevant than ever. PGPoetry workshop is an algorithmic poetry workshop which is also a crypto party for emergency times. In the workshop, the participants will try to figure out (and probably fail) how to read these poems, while I put them in the context and tradition of digital poetry and encrypted poetry, and their artistic value. Then, I will teach the participants how to use PGP protocol, and guide them as they experiment with creating pretty good poetry.
Artist: Yoav Lifshitz

Something from nothing: recording music with no instruments and a cellphone – Chris Jeffery

Music creation in the digital age has become more accessible than ever. But it’s an activity still associated with owning lots of gear – soundcards, speakers, preamps, mixing desks, microphones, sonically treated spaces, expensive software, etc. We also obsess over a limited inventory of sounds: guitars, drums, saxophones, orchestral instruments. All this gear and all these instruments will always have a place in music-making. Yet they can also become a reason not to make music, convincing us that until we reach some (ever-receding) level of professional equipment, we can’t start creating.
This project, which was catalyzed by the Covid-19 lockdown, aims to challenge that narrative, showing that with a selection of household goods, couch pillows, a cell phone, free software, and the will to make music, endless musical possibilities exist.

The workshop will demonstrate this by covering the following topics:
• Choosing effective objects as instruments
• Creating workable cell phone recordings
• Setting up DIY temporary sound treatment
• Selecting useful phone apps for recording
• Understanding the fundamentals of audio processing

Ponte Maputo Durban – iSupport Creative Business

In a project titled Ponte Maputo Durban, pianist Sibusiso Mash Mashiloane from Durban and multi-instrumentalist Matchume Zango from Maputo have reinterpreted each other’s works. The music journeys through an improvised language of a lifetime learned sonic therapy, which takes the listener along every note towards a form of healing.  South Africa and Mozambique are sovereign neighbours who historically share an umbilical cord, which breaths from the beat of the same rhythmic pulse. This music pulls worlds once parted by colonial separations together when these maestros construct Ponte Maputo Durban sonically. This project is a significant musical and cultural experience in the form of a collaboration. The potential for any listener to reap the benefits of connecting to something so boundless as musicianship, is almost like removing physical borders in the global map of sound.

Sibusiso Mash Mashiloane – Musician and Composer
Matchume Zango – Musician and Composer
Simanga Zondo – Photography
Mandisa Buthelezi: Editing Director
Mduduzi Nxele: Editor
Marlyn Ntsele – Executive producer

Pest Control – Mamela Nyamza

Mamela Nyamza is a dance artist and activist who is hell-bent on exposing the sordid underbelly of the bureaucratic aspects of arts and culture in her native country South Africa. Her numerous acts of protests for transformation and equality in the art sector has meant experiencing and being exposed to untoward practices as both an arts practitioner as well as a former employee of a public art institution. Ms Nyamza’s new work “PEST CONTROL” aims to expose the real state of the art in South Africa – a sordid environment where cronyism and nepotism are rife and arts practitioners at odds with this malignant system, are screwed. A miscarriage. An injustice. “PEST CONTROL” addresses these mutually beneficial ‘friendships’, where kowtowing artists are advanced at the expense of the arts sector.

Performed by: Mamela Nyamza
Featured Artist (Musician): Aza Mphago
Lighting & Set Designer: Wilhelm Disbergen
Camera & Graphic Designer: Ntombazana Shabangu
Digital Media Creative: Katty Vandenberghe

Pepper’s Ghost at the Centre for the Less Good Idea – The Centre for the Less Good Idea

How does text perform? What would happen were we to isolate and expand upon the rhythm or cadence of a particular piece of prose? Books, poems, court transcripts, Wikipedia entries, songs, commission reports and more serve as points of departure for Season 7 of The Centre for the Less Good Idea. In a time where our physical ability to be with one another has been restricted, this online programme merges performance, installation, and free-flowing physical experimentation, filmed at the Centre. The Pepper’s Ghost is a shrewd optical illusion disguised as a hologram, a mirror, or a plain sheet of glass. Coupled with hi-resolution video filming and editing technology, as well as projection and live performance, the Pepper’s Ghost allows for the absurd meeting of analogue and digital technologies to put forward a theatrical experience that draws on the power of illusion and distorted or fabricated ways of seeing. From a mystery creature from the mind of Franz Kafka, an avant-garde verse drama by a Soviet playwright, to an experimental take on a  Shakespearean soliloquy, these are some of the moments that occupy the world of the Pepper’s Ghost.
PROGRAMME
Live lecture-performance in Pepper’s Ghost | William Kentridge, Phala O Phala & Nhlanhla Mahlangu
Cinematography by | Duško Marović SASC

ODRADEK
Adapted from | Franz Kafka’s The Cares of a Family Man
Performed by | Ameera Patel & Frances Slabolepszy
Music by | Clare Loveday & Bongile Lecoge-Zulu
Cinematography by | Duško Marović SASC
Video Editing & Compositing by | Žana Marović
 
MAYAKOVSKY: THE TRAGEDY
Text from | Vladimir Mayakovsky
Conceptualised & Directed by | William Kentridge Performed by | Katlego KayGee Letsholonyana
Cinematography by | Duško Marović SASC
Video Editing & Compositing by | Janus Fouché

SPACTRAL
Text from | William Shakespeare’s Macbeth
Performed by | Thami Majela, Kaldi Makutike & Michael Mazibuko
Cinematography by | Duško Marović SASC
Video Editing & Compositing by | Žana Marović

AN OUTPOST OF PROGRESS
Written by | Joseph Conrad
Performed by | Neil McCarthy, Antony Coleman & Bongile Lecoge-Zulu
Cinematography by | Duško Marović SASC
Video Editing & Compositing by | Žana Marović

KEYS TO A GREAT POETIC GAME
Text extracts from | René Daumal’s Le Contre-Ciel
Performed by | Sibahle Mangena
Directed by | Phala Ookeditse Phala
Cinematography by | Duško Marović SASC
Video Editing & Compositing by | Žana Marović

TEA & BAE
Conceptualised, Directed & Performed by | Molebogeng Phiri & Kaldi Makutike.
Cinematography by | Duško Marović SASC

PRODUCTION FOR THE CENTRE
Season 7 curators | Phala Ookeditse Phala & William Kentridge
Animateur for the Centre | Phala Ookeditse Phala
Co-director for the Centre | Bronwyn Lace
Editor & Director of Photography | Noah Cohen
Production Manager | Shruthi Nair
Administrator & Stage Manager | Dimakatso Motholo
Housekeeping & Space Manager | Gracious Dube
PRODUCTION FOR THE ONLINE WORK
CINEMATOGRAPHER
Duško Marović, SASC
CAMERA OPERATORS
Noah Cohen
Bukhosibakhe Kelvin Khoza
LIGHTING DESIGN
Wesley France
LIGHTING & LIGHTING OPERATORS
Matthews Phala
Themba Mthimkulu
Rendani Gelebe
Gearhouse Splitbeam (Pty) Ltd
SOUND ENGINEERS
Kyle Leist
Izak Johannes Schoombie
Zain Vally
Gavan Eckhart
SoulFire Studio (Pty) Ltd
EDITORS
Noah Cohen
Janus Fouché
Žana Marović
PHOTOGRAPHERS
Zivanai Matangi
Stella Olivier  
COSTUMES & PROPS
SO Academy mentor | Greta Goiris
SO Academy assistant | Emmanuelle Erhart
SO Academy mentees | Andrea van der Kuil, Duduzile Mathebula, Helena Uambembe, Angelinah Maponya, Unathi Mkonto, Nthabiseng Malaka
Academy manager | Dimakatso Motholo  
PEPPER’S GHOST STAGE DESIGN & BUILD 
Wesley France
Chris-Waldo de Wet
Jacques van Staden
Diego Sillands
WRITER
Dave Mann  
Special thanks:  Linda Leibowitz, Natalie Dembo, Anne McIlleron, Anne Blom, Joy Lowden, Chris-Waldo de Wet, Diego Sillands, Jacques van Staden and Joey Metshiombo

Novel-Script Writer’s Development Project – Twist Theatre Development Projects

Using the novel “The Ones With Purpose” by Cynthia Jele as the starting point to inspire writers, Twist Projects invites writers from across Africa to a week-long writer’s workshop, where they receive mentoring and feedback from  other writers, directors and actors as they hone their craft. The result is six finely-tuned short scripts that explore issues of love, loss, family and responsibility from the perspectives of six very different writers. Join us for the recorded readings of these scripts and a facilitated discussion with the writers.

Script mentor:  Kobus Moolman
Directors: Roel Twijnstra, Daniel Maposa and Emma Durden
Writers: Gabriella Pinto, Gideon Wabvuta, Mbasa Tsetsana, Ncumisa Ndimeni, Tammany Barton and Tosin Tume

Nixon in Agony – Adam Donen and Steven Berkoff and Robert Harder presented by 12th Battalion Productions

The door to the Oval Office is locked. Inside, a drunken, raging President Nixon attempts to write his resignation speech. He is haunted by the ghosts of former Presidents, and of his many enemies. Based on actual historical accounts of the final 24 hours of his reign, Nixon in Agony sees the President (played by theatre and cinema legend Steven Berkoff) deploring his fate even as it creeps closer. It asks: for such a man, can there be absolution? As the President descends into madness, the audience are placed inside his head using psychoacoustic and binaural effects, where every self-justification, every rambling excuse, and the vitriol of every critic echoes through the darkest night of the President’s soul.
This bold, timely and technologically groundbreaking audio drama by Adam Donen, inventor of the holographic drama, working with Grammy Award winning audio producer Robert Harder,  offers a perspective on the past that seems totally of our present. The subject is Nixon, but it could just as well be Jacob Zuma or Donald Trump.
A nightmarish private view into the ruined gallery of a corrupted and broken man’s mind.
World premiere
Created, written and directed by Adam Donen
Mix and sound design by Robert Harder
Produced by Adam Donen, Robert Harder & Daniel Reynolds
Associate Producer – Ela Stipicic
Assistant Producer – Agatha Vornicu

Making Grace Amazing – Neo Muyanga/NeoSong Company

Composer, Neo Muyanga reconsiders the dark and obscured past of ‘Amazing Grace’ – a beloved hymn often sung to express solidarity with protesters calling for social justice and comradeship across the black diaspora. This new subversion, entitled, ‘aMaking Grace’, features new music and animations by Muyanga, who conducts the Khayelistha-based mezzo soprano, Tina Mene, and the popular São Paolo protest theatre troupe, Legítima Defesa.

Composer/Director – Neo Muyanga
Soprano – Tina Mene
Chorus of We the People – Legítima Defesa
Video and Animations – Neo Muyanga & Bianca Turner

Macbeth – Third World Bunfight

Opera like you have never experienced it. Verdi’s MACBETH – based on Shakespeare’s drama of ambition, treachery and terror – performed by an all-South African cast and a Balkan orchestra, and set amongst the wars and ruthless exploitation that have ravaged the Great Lakes Region of Central Africa for decades. Within a milieu of multinational double-dealings, ethnic conflict, brutal militia, ‘blood minerals’ and glittering Chinese imports, a Congolese warlord and his ambitious wife murder their leader and unleash atrocities on the crumbling African province that they seize. This visually explosive work, with zappy street-wise surtitles, toured 31 cities on 6 continents between 2014 and 2017.  It was produced by Third World Bunfight, directed and designed by Brett Bailey, and the music adapted by Belgium’s Fabrizio Cassol. Serbian Premil Petrovic conducts his No Borders Orchestra along with two South African percussionists. Lady Macbeth is sung by soprano Nobulumko Mngxekeza, Macbeth by Owen Metsileng, and Banquo by Otto Maidi.
“There can be no denying the power and originality of this astonishing appropriation of Verdi’s Macbeth” 5 stars – THE TELEGRAPH, LONDON

Film edited by: Catherine Henegan, Free State Productions.
Production:
Conceptualized, designed and directed by Brett Bailey
Music by Fabrizio Cassol, adapted from Verdi’s Macbeth
Conducted by Premil Petrovic
Lighting by Felice Ross
Choreographed by Natalie Fisher
Video Illustration & animation: Roger Williams
Photographs in performance: Marcus Bleasdale/VII and Cedric Gerbehaye
THE PERFORMERS
Macbeth – Owen Metsileng
Lady Macbeth – Nobulumko Mngxekeza
Banquo – Otto Maidi
CHORUS:
Sandile Kamle, Jacqueline Manciya, Monde Masimini, Lunga Hallam, Bulelani Madondile, Philisa Sibekoi, Thomakazi Holland
NO BORDERS ORCHESTRA:
Stanko Madic (1st violin), Jelena Dimitrijevic (2nd violin), Sasa Mirkovic (viola), Dejan Bozic (cello), Ilin-Dime Dimovski (double bass), Jasna Nadles (flute), Aleksandar Tasic (clarinet), Nenad Markovic (trumpet), Ivan Jotic (bassoon), Viktor Ilieski (trombone), Cherilee Adams (percussion), Dylan Tabisher (marimba & vibraphone)
Produced by Barbara Mathers
Technical Manager Miguel Munoz
Company Manager Catherine Henegan
Stage Assistant Pule Sethlako
AV engineer & technical assistant Carlo Thompson
Re-lighter Tal Bitton
Sound engineer Pierre-Olivier Boulant